“They Don’t Care About Us” is a politically charged and powerful song by Michael Jackson, released in March 1996 as the fifth single from his ninth studio album, HIStory: Past, Present and Future, Book I (1995). Written and produceddby Jackson, the song confronts issues of systemic injustice, discrimination, and societal neglect, making it one of the most provocative tracks in Jackson’s catalog.
The lyrics of the song reflect frustration and defiance, addressing themes of inequality, racism, and human rights violations. Musically, “They Don’t Care About Us” combines funk, rock, and hip-hop influences, featuring a driving rhythm, a powerful drumbeat, and Jackson’s commanding vocal delivery. The song’s use of rhythmic chants and percussive beats, particularly in the Brazilian-inspired version, enhances its intensity and call-to-action feel.
The song was accompanied by two iconic music videos, both directed by Spike Lee. The first video was filmed in Brazil, featuring Jackson performing in the streets of Rio de Janeiro and Salvador alongside local drummers and dancers. It highlighted the vibrancy of Brazilian culture while drawing attention to the socio-economic struggles of the favelas. The second video depicted Jackson in a prison setting, intercut with powerful imagery of police brutality, protests, and historical atrocities, further emphasizing the song’s themes of systemic injustice.
“They Don’t Care About Us” sparked controversy upon its release, with some critics misinterpreting parts of the lyrics as offensive. Jackson later clarified the intent of the song, stating it was a condemnation of prejudice and oppression rather than an endorsement of hateful language. Despite the initial backlash, the song was widely praised for its boldness and relevance.
Commercially, the song achieved significant success, topping the singles charts in several European countries, including Germany and Italy, and reaching the top 5 in numerous countries, including the UK. While it was less successful in the United States due to limited radio play, it became one of Jackson’s most enduring and culturally impactful songs.